Theophile Steinlen 
"Clinique Cheron" 
This Art is:
New
Plate Signed Offset Lithographic Art Print
Custom Framed in a black frame 
Matted in offwhite
Framed Size: 20" x 24"
Image Size: 13" x 17"
Ready to hang hardware included
Interested in different framing? Contact us!
Today print lovers enjoy the vintage flavor Steinlen's work offers to any room. The stylized graphics and decorative costumes of the figures in his prints add a touch of nostalgia to a wall. Grouped along with the prints of Cheret and Toulouse-Lautrec, you can give a room the feeling of a Parisian cafe easily. Steinlen often used his wife, child, and family cats as models to create images with a certain intimacy, which differ from fellow illustrator Toulouse-Lautrec's cold, harsh depictions of cabaret life. Steinlen's illustrations have a personal, intimate style that evince a concern for humanitarian issues. Born in Switzerland Steinlen studied philosophy at the University of Lausanne, which engendered an interest in socialist causes. The artist moved to Paris in 1881 and was introduced to the avant-garde literary and artistic world of the Chat Noir cabaret. There he mingled with the illustrator Adolphe Willete, the singer/songwriter Aristide Bruant, and the idiosynchratic Toulouse-Lautrec. The influence of his peers can be clearly seen in the subject matter as well as the style of his artwork.
   ABOUT THE ARTIST
 
   Théophile Alexandre Steinlen was a Swiss-born French Art Nouveau painter and printmaker. Born in Lausanne, Steinlen studied at the University of Lausanne before taking a job as a designer trainee at a textile mill in Mulhouse in eastern France. 

In his early twenties he was still developing his skills as a painter when he and his new wife were encouraged by the painter François Bocion to move to the artistic community in the Montmartre Quarter of Paris. Once there, Steinlen was befriended by the painter Adolphe Willette who introduced him to the artistic crowd at Le Chat Noir that led to his commissions to do poster art for the cabaret owner/entertainer, Aristide Bruant and other commercial enterprises.

In the early 1890s, Steinlen's paintings of rural landscapes, flowers, and nudes were being shown at the Salon des Indépendants. His 1895 lithograph titled Les Chanteurs des Rues was the frontispiece to a work entitled Chansons de Montmartre published by Éditions Flammarion with sixteen original lithographs that illustrated the Belle Époque songs of Paul Delmet. 

His permanent home, Montmartre and its environs, was a favorite subject throughout Steinlen's life and he often painted scenes of some of the harsher aspects of life in the area. In addition to paintings and drawings, he also did sculpture on a limited basis, most notably figures of cats that he had great affection for as seen in many of his paintings.

Steinlen became a regular contributor to Le Rire and Gil Blas magazines plus numerous other publications including L'Assiette au Beurre and Les Humouristes, a short-lived magazine he and a dozen other artists jointly founded in 1911. Between 1883 and 1920, he produced hundreds of illustrations, a number of which were done under a pseudonym so as to avoid political problems because of their harsh criticisms of societal ills.

Théophile Steinlen died in 1923 in Paris and was buried in the Cimetière Saint-Vincent in Montmartre. 

Today, his works can be found at many museums around the world including at the Hermitage Museum in St. Petersburg, Russia. and the National Gallery of Art in Washington, D.C., United States.